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The National Association of Watch and Clock Collectors (NAWCC) |
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A Brief History of Precision Timekeeping Link to Dr. Christoph Ozdoba's web site: http://www.ozdoba.net/swisswatch/watchmain.html Part 1: Ancient Times to the 17th Century From the Beginnings to the 15th Century The earliest time-keeping instruments, sundials, water clocks, or candle clocks, gave not more than a rough approximation of the passage of time. The first weight-driven clocks with a gearwork that came up in the 13th and 14th century did, initially, not perform much better. An hour hand was all that was needed, a minute indication would have been an unjustified luxury considering that these clocks had daily rates of an hour or more.
In this era, time was publicly distributed by worldly and clerical authorities: The first clocks were found in church towers, monasteries, or city halls. We know from such early clocks in Italy, e.g., in Orvieto (1307), Ragusa (1322), Milan (1336), or Padua (1344). The oldest preserved clock tower is found in the Cathedral of Salisbury (UK), it dates from 1386. In the 14th and 15th century, the “individual” or “private” time was a privilege that only few people could enjoy; clocks were only found in the households of the nobility and a few wealthy citizens. The Portable Clock (16th century) The use of a spring instead of a weight in a time-keeping device was a major revolution. It is not exactly known when and where this invention was made; we know that the mainspring in a barrel with a chain and fusee (initially, gut and fusee) was established by 1430.
In the first half of the 16th century, the box-like table clocks developed into the next generation: a clock that could be worn by an individual, usually on a chain around the neck. (We may call them “watches” from now on.) A beautiful example of such an early watch from 1530, made in southern Germany, is found at the Smithsonian Institution in Washington.
These early 16th century watches often had striking mechanisms, sometimes even
an alarm. The Early Pocket Watch (17th century) In the 17th century, watches lost their box-like appearance; cases became slimmer and rounded; the typical pocket watch design developed. The master watchmakers started to sign their watches, and the art of enamel painting on the case was at its peak. The technical development of pocket watches, however, didn't show much progress for more than half of the 17th century. Since 1630/1640, the gut cord was replaced by a chain resulting in the classic chain-and-fusee design that we find deep into the 19th century, but that was all until about 1675.
Then, the next real revolution began; it is linked to the name of a Dutch
physicist and astronomer who had made his first great horological invention in
the 1650s: Christian Huygens (1629-1695). Huygens had discovered the laws of the
pendulum independently from Galilei; he had realized that these principles could
be applied to time-keeping, and he had the first pendulum clock built after his
plans by Salomon Coster in 1657. Much work still had to be done (and was done by later generations of watchmakers), but with this new horological technology, it made sense, for the first time, to add a minute hand to a watch. The minute hand was probably used first around 1690 by the English watchmaker Daniel Quare. Part 2: The 18th Century Important Improvements of the Pocket Watch (18th century)
The 18th century began with an invention that we often do not even think about
today because we take it for granted: Not an invention, but an interesting footnote: In 1715, the term "calibre" was first used in connection with horology by Sully to describe the size and design of various parts of the movement.
Most noticeable, however, were the numerous new escapements that were invented
in the 18th century:
Numerous other escapements, partly still in use today, were also developed in the 18th century:
1757 was the year when an invention was made that we still find, though modified, in practically all mechanical pocket and wristwatches today: Thomas Mudge invented the lever escapement. Due to the lever's characteristic form, it is known as "anchor escapement" in French (échappement à ancre) and German (Ankerhemmung). I have seen "anchor escapement" in English texts, but this is more the exception than the rule.
Although the function of a lever escapement is easily understood, its construction requires a lot of mathematics, and its making is precision work:
The Swiss lever escapement shown here (for good reason: It's the type that you find in today's watches) is actually a later development that is based on Georges Auguste Leschot's invention of the "draw" in 1825. The initial version is known as "English lever escapement," and there were numerous variants like the "Glashütter Ankerhemmung" (Glashütte lever escapement) invented by Grossmann in 1866 and used by Adolf Lange (yes, you know the name from "A. Lange & Söhne"), Cole's elastic lever escapement (around 1830), and the lever escapements by Mairet, Robin, or Girard-Perregaud. There are two basic differences between English and Swiss lever escapements: · In the English lever escapement, the full impulse is taken by the pallet-stones, and the teeth of the escape-wheel are pointed (cf. figure above). In the Swiss lever escapement, the impulse is taken by both the pallet-stones and the teeth; the teeth are made "à talon" to form an impulse face. · In the Swiss lever escapement, the axes of the balance-staff, the lever, and the escape wheel lie on a straight line ("ligne droite"). In the English lever escapement, the line between the pallet-staff and the escape-wheel and the line between the pallet-staff and the balance-staff are perpendicular to each other ("ancre de côté" or "ligne rectangulaire"). As the new escapements allowed for a precision of ± 1 minute per day, other sources of irregularity in a watch's daily rate became apparent (and really annoying) only now: irregularities due to temperature changes. Numerous watchmakers tried numerous constructions to compensate for these temperature errors in the spiral (where its effect is greatest); soon, however, efforts concentrated on temperature compensation in the balance.
As a result of these inventions, a good quality English watch from the mid-18th century had a daily rate of about one minute. Since 1750, a seconds hand was seen increasingly often; contrary to earlier watches where it had also been found occasionally, it made sense now that a new level of accuracy had been reached. A well cared-for late 18th century watch is, even today, a perfectly usable timepiece. Nevertheless, the pocket watch had not yet reached the peak of its development - this was still to come in the 19th century.
Another invention of the late 18th century that was, however, more for comfort than for precision, must not be forgotten: Automatic winding. Abraham Louis Perrelet is unanimously acknowledged as the inventor of automatic winding, he made his first "perpetual watches" around 1760 or 1770. It is said that Breguet and the English watchmaker Recordon were among his first customers. Breguet made his first "perpétuelle" around 1780; he had improved Perrelet's mechanism by an excentric arrangement of the oscillating weight. At about the same time, Recordon sold his first self-winding watches in London. Honi soit qui mal y pense ... Part 3: The 19th Century Where Legends Begin
In the 19th century, many of the famous names and great brands appeared for the
first time.
Obviously, watches had become generally usable instruments, and there was an increasing demand. Switzerland had silently become the leader, a position that had formerly been held by France and England; the "Swiss Watch" was on its way to become a legend and a guarantee for quality that few products or product categories have achieved since then. The social and political conditions that had made it possible that a small and sparsely populated country became the world leader in precision watchmaking are fascinating, but they are beyond the scope of this "Brief History." What had happened to watch precision? The cylinder escapement was generally used since about 1820. Around 1860, the days of the verge escapement were counted - cylinder and lever escapements had taken over. Crown winding, probably invented by Louis Audemars in Le Brassus around 1837 and made popular by Adrien Philippe (author of "Les montres sans clef," i.e., "Watches without key," in 1863) was used increasingly often since about 1860-1870. Complicated watches with perpetual calendars, moon phase indications, and chronographs were the pride of all major manufacturers (although the movements were often made by some anonymous genius in an obscure village in the Vallée de Joux). Parallel to this development of more and more complicated watches, we find the beginning of industrial-style watchmaking, introduced in the USA by Terry around 1840. Standardization of parts helped a great deal in achieving better precision. The watches that were sent to competitions, however, were still carefully assembled by hand and meticulously regulated by specialists, the "régleurs." Competition in Precision In the 19th century, observatories started to issue certificates to companies for extremely precise watches, initially marine chronometers where precision is not a luxury but a requirement. An "Observatory Prize" from Kew in England or Neuchâtel in Switzerland made an excellent argument in advertising, and soon, no major company could afford to stay away from the annual contests. (Until today, the world record holder in precision prizes is Zenith with 1565 first prizes.) Other companies specialized in particular types of watches; the records of the OAN, the Observatoire Astronomique de Neuchâtel, from 1860 to 1975 show that, e.g., Ulysse Nardin was without serious competition in marine chronometers. Furthermore, the world came closer together thanks to developments like the railway or the steamship. "International" or "World Expositions" were held since the late 19th century, and watchmakers were keen on obtaining medals - these, too, made excellent advertising material.
Another category of precision watches came into being in the late 19th century: the "Railroad Watch." A major railroad accident in Kipton near Cleveland, Ohio, on April 19, 1891 that cost eleven lives happened because of a watch that was several minutes off the correct time. As a result, a commission with members from all major railroad companies in the US was founded that defined the "General Railroad Timepiece Standards;" they were adopted in 1893. Besides US watch companies, some European watch manufacturers (e.g., Zenith) also made "railroad watches." In Europe, they were popular in the southern and eastern countries. Germany, in spite of all the strict Prussian imperial regulations, never knew "railroad watches."
Part 4: The 20th Century New Materials The 20th century began with a major breakthrough: The Frenchman Charles Edouard Guillaume invented a material called “Invar,” a nickel-steel alloy. (Guillaume was awarded the Nobel Prize for Physics in 1920.) Invar (derived from “invariable” due to its particular characteristics) was the ideal material for balances as its coefficient of expansion is 15 times lower than that of steel. Until today, watch companies are trying to improve the balance's and the spiral's temperature stability. “Glucydur” is another extremely stable material, it is a copper-glucinum alloy. Furthermore, companies developed special compensation mechanisms that are more complex than the simple screws on the balance ring, e.g., Patek Philippe's “Gyromax” balance with eight weights - adjusting this balance is definitely not a job for a week-end hobby horologist! A New Challenge Around the turn of the century, the good old pocket watch got competition: People actually started to wear timepieces on their wrist! Watchmakers were horrified: The strain of the continuous movement, the dirt, the humidity, the shocks - who would, in his right mind, ever subject something as delicate as a watch to these influences? Today, we know the answer: After one generation, about thirty years, practically everybody! The new challenge led to new solutions, and within this one generation, everything that you could ever wish for in a watch had been achieved - in a wristwatch! Automatic winding, absolutely waterproof cases, new shock-protection mechanisms, it was all there. Initially, wristwatches were simply pocket watches with lugs, often with ladies' size movements (9'''). (The tradition of putting a pocket watch movement into a wristwatch case still continues with IWC's oversized “Portugieser” models.) Gradually, however, watchmakers faced the challenge of making small and precise movements. While an oscillating frequency of 18,000 a/h had been sufficient for pocket watches for virtually hundreds of years, fast-beat movements were developed for wristwatches to allow for higher precision. Today, the standard is 21,600 or 28,800 a/h; Zenith's “El Primero” with its 36,000 a/h is still unique and marks the peak of this development. The Quartz Revolution While electrically driven clocks had been used in observatories since the 1930s, and experiments had been made with electrically driven wristwatches, it was the quartz technology that came up in the late 1960s and early 1970s that marked the beginning of a new era. Now, it was possible to achieve daily rates of one second or less in a wristwatch with a rather cheap technology that could be produced in enormous numbers. A split-seconds chronograph, an alarm, a perpetual calendar, complications that had been the pride of watchmakers for centuries, now only required some additional instructions in the chip that controlled the watch.
The social impact of this new technology on the Swiss watch industry was
enormous. Suddenly, “watchmakers” became superfluous - all that was required was
an occasional change of the battery, and if the movement had a serious flaw, it
was replaced by another one (if you didn't prefer to simply throw away the watch
and get a new one). In Switzerland, dozens of companies, among them some old and traditional names, went out of business - what business could you do with a product that nobody wanted any more? Others adopted to the demands of the market and changed their production accordingly - if people want quartz watches, give them quartz watches. While I am writing this, I have an Eterna catalog from the early 1980s before me - really sad to look at. There is still the logo with the five balls symbolizing the ball-bearing that was found in the first “Eternamatic,” but all watches in this catalog are quartz-driven. The Renaissance of the Mechanical Wristwatch In the early to mid-eighties, something strange happened: People re-discovered the mechanical watch. Over a period of just two or three years, beginning around 1983, there was a new demand for mechanical movements, automatic or hand-wound. The industry reacted quickly: This second generation of mechanical wristwatches whose development we have followed for the last twenty years has led to developments that nobody had expected. Complications that had formerly only been found in pocket watches were built into wristwatches now. In the 180 years between 1801 and 1980, about 650 pocket watches with a tourbillon had been made world-wide. Now, when the mechanical wristwatch came back, it came back with a vengeance: In 1986, Audemars Piguet presented to an astonished world the first automatic tourbillon in a wristwatch (cal. 2870). Since then, we have seen wristwatches that nobody would have dreamt of in the 1960s: IWC's “Grande Complication” and “Destriero Scafusiae,” Blancpain's “1735,” or Patek Philippe's “Sky Moon Tourbillon” to name just a few of the ultimate masterpieces from recent years. Precision has greatly improved; you may expect a daily rate of less than ten seconds from an average automatic wristwatch. There is, however, a steady increase in the number of movements tested by the COSC (cf. insert). It seems that people are ready to accept these small deviations; the pleasure of wearing a mechanical wristwatch more than compensates for the small trouble of setting it back a minute once in two weeks.
The 21st Century ...
I don't have a crystal ball on my desk that shows me the wristwatches that we
will be wearing in the 2030s - or, who knows, perhaps the pocket watch will be
back by then? What we have seen is a concentration of watch companies in large holdings, and this is probably a development that can't be turned back. A similar development can be seen in the automobile industry. There are analysts that predict that there will be no more than six companies left world-wide by 2020. Just remember that “Volkswagen,” literally translated the “People's Car,” is the owner of Bugatti and Lamborghini, and you will not be astonished to see Swatch and Breguet under one roof.
This is not bad for the customer: The development of a new movement is a
multi-million dollar affair, and if we want to have innovations in watches, we
need companies that have the financial background for such developments. Developments like Ludwig Oechslin's “Freak” from Ulysse Nardin show that the mechanical wristwatch still has an enormous potential for innovations - let us wait and see!
There will probably be even more “manufactories” in future if the Swatch group is really going to be more restrictive about selling movements to other companies. This will put these in a position where the in-house development of movements becomes a question of survival - for the customer, this would mean that there are more movements to choose from. Addendum December 12, 2004: See also Carlos Perez' “The War of Independence” and recent entries on my page “Did you know that ...” about the “Swatch Group vs. Rest of the Watch World” conflict. The mechanical wristwatch's future may not only be considered established - it will probably be more exciting than ever before. Just remember when you look at a wristwatch “Grande Complication” that without the work of men like Huygens, Mudge, Guillaume, and all the others, we wouldn't have these masterpieces today. Understanding horology means understanding its history; remember: La montre n'est pas l'oeuvre d'un seul homme, mais celle de plusieurs générations. The watch is not the work of a single man, but of several generations. F. Jung | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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